So how’s things?
Ok so before I head out for the early viewing of The Dark Knight Rises (Me=Excited) as promised here’s a look at what went into putting together my Train Hard Win Easy picture.
Now the whole retouching process in Photoshop will be in a future issue of Practical Photoshop Magazine in the coming weeks; there’ll be a step by step write up plus a video tutorial so you can see not just what but also how.
Today though I thought I’d show you the stages that the pictures (studio photo of Shaun and original running track) went through and a look at the lighting set up:
Click to enlarge
9 times out of 10 if I’m putting together a composite the backgrounds are made up of photographs I’ve taken myself. However it’s not always possible to get out and photograph or indeed find your ideal background. Of course in these cases there’s always stock images to turn to; however…doubly wammy…there’s no guarantee you’ll find something suitable there either.
Solution? Shoot/Find a background that kind of fits the bill and then use Photoshop to manipulate it, twist it, turn it, play with the perspective crop and all that fun stuff and see what you can come up with.
Of course knowing what you want from the outset helps a great deal but then that’s how I approach what I’m doing each and every time. I’ve written and spoken about it before but knowing what you want your final image to be like even before you’ve taken a photo helps incredibly.
Think about it…knowing the final picture means you’ll know what lighting to use and how to light your model, what your model should wear, what expression they should have, what props to use, what background elements you need and so on… Knowing the final picture before beforehand will also save you masses of time when it comes to working in Photoshop. Before working this way I used to load pictures into Photoshop and then end up sitting, scratching my head thinking “Now what should I do?”; I knew the techniques in Photoshop BUT I didn’t know which ones to use, and that’s all because I didn’t have a clear vision for the final image…does that all make sense?
Anyway the pictures below show you the start image for the background and then what I made from it (the sky was from a picture I’d taken whilst in my back garden)…
Ok so for the picture of Shaun I photographed him in the studio on a white seamless background. Why white and not grey? Well again this boils down to knowing in advance what background Shaun was going to be put into and how I’d end up cutting him out.
White seamless was used for 2 main reasons:
- The contrast between Shaun & what he was wearing compared to the white background meant cutting him out would be very easy
- Any challenges extracting Shaun’s hair from the white background would be easy to deal with because if any bright/white areas couldn’t be fully removed it didn’t matter all that much as he was going onto a bright background anyway; again a BIG advantage of knowing what it is you want to end up with in advance.
Click to enlarge
In a few weeks I’ll have an article coming out in Practical Photoshop Magazine covering every single step of the retouching process in detail (no secrets) plus a video I’ve recorded to accompany it that you can follow along to. Oh and it won’t take 3 hours either…more like 25 minutes unless of course like me you can’t help tweaking this and that
Right, I can’t fight the anticipation any longer…I’m off to the cinema.
Have a great weekend folks and I’ll catch you back here on Monday with a new Photoshop tutorial video and more news about my new Photoshop “Know How” workshop series,