photography

The Invisible Black Background

The Invisible Black Background

Over the past couple of weeks I’ve been putting a lot of time into not just revamping my website, but moving it to a completely new hosting platform (thank you SquareSpace). I’m going to be writing a post about why I’ve done this, but needless to say I am VERY happy I finally made the (much needed) move.

Anyway, as part of the moving process I connected my Google Analytics account to the new site and what was really interesting to see was that ‘Invisible Black Background’ was still ranking high up there as one of the search terms used by folks and that lead them to my site. If you didn’t know, ‘Invisible Black Background’ refers to a photograph technique I named and that was featured in the New York Times, and is basically a way to make it look as though

Sony A1: Is it all hype?

Sony A1: Is it all hype?

Following on from a post last week, here’s a full length (10 minute) video where I go through ‘hands’ on use of the NEW Sony A1 and how I lit and photographed a recent surfer portrait on the beach at Saunton Sands at around 12pm on a VERY bright, sunny day…

KIT:

Sony A1

Sony 85mm f/1.4 G Master

Westcott FJ400 (LINK)

SETTINGS:

f/1.4 , ISO 50, 1/8000sec in High Speed Sync

Female Surfer Portrait with Sony A7RIV and Westcott FJ400

Portrait of a female surfer on her board awaiting the wave…

This is the result of one of the most challenging, but great fun, photo shoots I’ve had to date; not because it was taken at around midday on a VERY bright sunny day and camera and flash settings related BUT sea, waves, sun and kit related.

Getting beyond the breakers at Saunton Beach in Devon meant being chest height in the water; me with camera and a great guy named Jim, a surfer, who helped us out by holding and positioning the lighting.

Ordinarily a relatively easy shot but not so when you have waves to contend with constantly pushing you this way and that, your subject (Molly, a Surfing Instructor from Walking on Waves Surf School) is constantly moving and having to counter the waves to maintain a pose, AND your lighting is moving; also, keeping an eye out for any rogue waves that may (and did) appear, meaning a well timed jump up with arm stretched high to keep the camera and lighting safe.

KIT & SETTINGS

  • Sony A7RIV (camera)

  • Sony 85mm f/1.4 G-Master (lens)

  • Westcott FJ400 (light) – LINK

Having rehearsed positioning on the beach and dialled in the settings, this is what I went with to give enough detail in the sky and light Molly with the FJ400 in High Speed Sync…

ISO 50, 85mm, f/2.0, 1/2500sec (High Speed Sync)

*For a full list of the kit I’m currently using, check out my GEAR page

Focusing

Initally when on the beach I’d opted with Single-Shot AF, but very soon after getting in the water, realised that Continuous AF was best choice, and with Back-Button Focus. 

This was definitely the way to go along with a Focus Area of Flexible Spot: Medium because the rise and fall of the water would knock the focus point elsewhere onto a wave, when I had it set to Focus Area: Zone, AND because of the waves our positions were constantly shifting.

All of these settings I have programmed so that they’re available at the press of a button rather than having to dive through the menu…

Ordinarily I would also shoot tethered to my laptop which would be in a shade so I could see the screen clearly despite the bright sunshine, however for this photo shoot, this just wasn’t possible. 

The LCD on the back of the camera, despite being at full brightness, was incredibly difficult to see. I didn’t want to use the viewfinder as that would give me tunnel vision with my face pressed against the camera, and this I definitely didn’t want as I also needed to keep an eye out for any of the rogue waves.

Ultimately this is where complete trust in your kit comes in. I knew that once I’d dialled in the correct settings, the camera would lock on to Molly with Face Tracking and Eye AF, and it certainly didn’t let me down.

Waterproof Camera Housing

Believe me I was more than a little on edge once in the water with all the kit but thankfully, despite a few splashes, everything survived, however I do now have a waterproof camera housing on order as I’m going to be doing a lot more of this kind of stuff AND underwater / split above and below the water.

Having taken some advice I’ve opted for Outex (Dome Lens Pro Kit) so I’ll definitely keep you posted how that performs once it arrives and I start putting it to test.

 

Closing…

One of the many things I love about photography is how I can recall the when, where, how, who and what happened as I look at the photographs in my portfolio; this photograph will most definitely be one I won’t forget. 

VERY excited about the kind of images and videos I’ll be working on in the future now that I live in Devon; first things first though…that watertight camera housing 🙂

As always, if you have any questions or comments please do make use of the comments section below and I’ll get straight back to you.

Cheers,
Glyn

•Video sponsored by Sony going through the ‘Behind the Scenes’ coming soon.

Slow Shutter for Foggy Sea t Lynmouth, Devon

If you’ve been following how I’ve been getting on with my Portrait Photographer tackles Landscape Photography, you’ll likely have heard me mention how slowing down, relaxing and just enjoying the surroundings, very quickly started to produce results I was happy with.

Well, that was certainly the case a few weeks ago when I happened to drop into Lynmouth, North Devon for a pit stop when on the way to elsewhere.

Long story short, but I parked up and popped to what is without doubt one of the best

Slow Shutter Speed at Hartland Quay, Devon

Slow Shutter Speed at Hartland Quay, Devon

It’s been a few months now since I started out on my (long overdue) Landscape Photography Project with a view to trying something new whilst we’re living with restrictions because of the pandemic, and also just, well, wanting to see how I could improve.

I’ve mentioned in some of my more recent videos about how much I’m enjoying it and that when restrictions do eventually get lifted, I will 100% be continuing.. It’s totally different to my usual portrait photography but also similar in so many ways, but I love the escapism it brings and how it’s making me see more of the outdoors and immerse myself in my surroundings.

A few days ago I headed back to Hartland Quay in North Devon

TIMELAPSE: Dandelion opening in Morning Sunrise

TIMELAPSE: Dandelion opening in Morning Sunrise

Since we all started living with restrictions due to the current Covid-19 Pandemic, I’ve been enjoying getting out and experimenting with other genres of photography as I’m unable to take portraits.

Before this time I guess you could say I was a strict portrait photographer in that, if I wasn’t taking a portrait, then my camera remained in my camera bag. I never felt the urge to try anything else.

Landscapes, Seascapes and Woodland is not only proving to be a heck of a lot of fun and a great way to keep the tools in my hand and keep…

COVID Restrictions made me a Better Photographer

It might sound odd to say this but I honestly believe that Covid-19 Restrictions placed upon our daily lives, have actually made me a Better Photographer.

Before March 2019, the only time I would have my camera in my hands was for taking a portrait. As a Portrait Photographer I just wasn’t interested in other genres. 

However, this all changed and I explain all in this video.

Hope you like it,
Glyn