, ,

Portraits, Passion and Process: an honest chat with Photographer Hannah Couzens

, ,

Watch the recording of this LIVE Broadcast ass I chat with Photographer, Profoto and Sony Ambassador, Hannah Couzens to discover her process for taking portraits, lighting, getting the BEST out of a portrait session plus the challenges of a modern day studio photographer.

links mentioned in the video:

, , ,

Photography and the Power of Community | Angela Nicholson

, , ,

Watch the recording of this LIVE Broadcast as I chat with Angela Nicholson - Photographer, Journalist, Reviewer and Founder of SheClicks - a Community for Female Photographers. We’ll be taking about her photography, her process, gear PLUS why Community in Photography is so important.

links mentioned in the video:

The UK Photography Show 2025 + Latest News, Gear and Events | Mark Baber

Watch the recording of this LIVE Broadcast of a chat with Mark Baber - The Photography Insider and Event Manager at London Camera Exchange, discussing the recent Photography and Video Show in London, Latest News, Gear including new a new Medium Format camera from Fuji, a new camera from Lumix and lenses from Sony PLUS Events within the Photography Industry.

links mentioned in the video:

, , , ,

Photographing Cars with my iPhone 15 Pro Max

, , , ,

Now primariy I’m a Portrait Photographer however this past few weeks, for the fun of it, I’ve been experimenting with my iPhone to see how it would fare when taking pictures of my car … both still and moving.

So a few weekends back I met up with friends in South Wales and headed to Crickhowell; an area I’ve photographed in before when working on this Harley image …

kit used

For these car photographs I was using my iPhone 15 Pro Max along with …

  • Polar Pro iPhone Case

  • 67mm Filter Adaptor + 67mm Circular Polarising Filter

  • ReeFlex Pro Camera App

The circular polariser is the car photographers secret weapon because of how effective it is in reducing / removing reflections in the car windows and on the bodywork …

I used the ReeFlex Pro Camera App purely so that I could use shutter speed and ISO to lock in the exposure that I wanted.

Here’s the ‘out of camera’ result …

Here’s the final retouched image which was done using Lightroom Desktop.

I also added a long exposure effect to the clouds using a technique in Photoshop which works really well however now I want to do the shoot again and capture it all ‘in camera’ using a long exposure app like ReeXpose or EvenLonger 😃

I also tried some panning shots and did get some results, however the ratio of keepers to rejects was very low.

I was trying to do this using the ReeFlex App and a Neutral Density Filter on the front of the iPhone so that I could lock in an exposed photographed at 1/30 second. However, the ReeFlex app at the time I did this did NOT have burst mode. This meant I was having to try to capture a single frame as I panned with the car passing at no more than 30 mph.

Here’s an edited result of what I managed to capture …

Later having shared this image online I spoke with a friend of mine who is a Professional Car Photographer. It was great to hear that he was impressed with the results expecially considering they were from an iPhone but he also gave me some settings that he and other pro car photographers use to capture a moving car.

My friend told me that moving car shots often see the car travelling at no more than 20 mph and that they also use a shutter speed of around 1/15 sec or 1/20 sec … but ALWAYS shoot in burst mode.

So armed with these settings I set about finding a pro camera app that would allow me to manually dial in the shutter speed but that also had Burst Mode; and the app I turned to was MOMENT.

I’ve yet to use the app in a planned car shoot however when in Germany a couple of weeks back I was waiting for a friend to pick me up and whilst waiting near a fuel station forecourt I attached the Variable Neutral Density Filter to my iPhone using the Polar Pro Case and Adaptor, and set the shutter speed using the MOMENT app.

I then simply took a burst of panning shots of passing cars as they negotiated a roundabout and drove away, which from my position would have meant them travelling around 20 mph.

Here’s some of the results …

So, yeah I’ve been very impressed with how the iPhone has dealt with this and the results I’ve managed to get.

Lots more experimenting and fun to be had!

, ,

The Photographer’s Guide to Lifelong Learning and Creative Growth | Marco Ter Beek

, ,

Watch the recording of this LIVE Broadcast as I chat with Professional Photographer Marco Ter Beek and discuss the importance of continually being a student in order to grow, find inspiration, being creative and ultimately creating work to be proud of.

links mentioned in the video:

, , , , ,

No Limits Creativity and Visual Storytelling with Kirk Nelson aka The Pixel Pro

, , , , ,

Watch the recording of this LIVE Broadcast from when I chatted with Photographer and Photoshop Artist Kirk Nelson aka The Pixel Pro and discovered how we creates his Fantasy Art Composites and creates Special Effects in his Images …

links mentioned in the video:

50% OFF Courses, Overlays ans Bruashes in Kirk’s Store using code: friendsofglyn

Kirk’s link for a FREE PASS at the Photoshop Creativity Virtual Summit:
https://bit.ly/pixelpro-creative

, , ,

AI versus Old-School Photoshop – Which One Wins?

, , ,

Artificial Intelligence is revolutionizing Photoshop, but is it always the best option?

In this video, I show how technology we've had in Photoshop for a number of years can produce a much better result when expanding an image ... and the results might surprise you!

🔍 Watch to find out:
✅ Alterative tools/techniques to Generative Expand
✅ How to get BEST results using Content Aware Scale

⏰ Chapters:
00:00 - Introduction
02:03 - Generative Expand
04:30 - Content Aware FIll
06:58 - Content Aware Scale
09:50 - Even BETTER Results

Warrior Photo Shoot Behind the Scenes

Recently I was back with friends in the studio to take a portrait for what was to be a new image in my ongoing Warrior series …

So in this post I thought I’d share some of the Behind the Scenes including the inspiration, sourcing the clothing and props, lighting and background …

inspiration

The inspiration for this image came purely by fluke when posting on social media and seeing the below motivational digital art poster having been shared …

Whenever I see images online that I like and inspire me I always take a screen shot and save them in a Private “Inspiration” Album in my iPhoto Library for reference later on just incase I plan on a photo shoot.

clothing and props

For clothing, a few days beforehand we headed to Maroigold Costumes in Cardiff who provide clothing to the TV and Film Industry. I’ve used clothing and props from here several times in the past; more recently for the Viking pictures of my friend Simon ‘Foxy’ Fowler and before then when I took portraits of my friend Anthony and Make Up Artist Sarah in 1940’s attire … to mention just a couple.

With our friend Gerwyn set to be the model for this Warrior photo shoot, we all ( Ian, Anthony, Gerwyn and myself ) met up at Marigold, and in a short space of time managed to find eveything that was needed …

As for the props ( the sword ) this was intentionally not sourced as I wanted to combine the Photo Shoot and Retouching with the use of AI ( more about that in a moment ) but with everything sorted it was then studio time …

photo shoot in the studio

Lighting for this was kept clean and simple with one light high up behind Gerwyn to provide light on top of his head and shoulders and an additional light in front and slightly off camera axis to create a little bit of shape to the light ( highlights and shadows ) rather than being square on to him lighting him evenly.

Also on the floor in front of Gerwyn i placed a silver reflector to bounce a little fill light into the shadow areas to reveal a little more detail.

As I was using constant ( LED ) light for this shoot, setting up was really simple because of the WYSIWYG ( What You See Is What You Get ).

To know that the reflector was positoned correctly to bounce light into Gerwyn’s face, he just needed to look at it and if he was seeing a bright spot on the reflector we were good to go.

kit used

I was also tethering into CaptureOne on my iPad Pro 12.9” which I had set into ‘Calibrated’ mode to give me a more accurate look at the files captured with regards to light levels and colour.

If you don’t know how to calibrate your iPad, check out this short video that I put together …

CAMERA settings

  • Focal Length: 70mm

  • Shutter Speed: 1/40 sec

  • Aperture: f/5.6

  • ISO: 3200

The L60-B LED directly behind Gerwyn on the boom arm was at 80% Power ; the L60-B LED directly in front of Gerwyn on the boom arm was at 50% Power.

results

Here’s a look at what was captured during the photo shoot; all very simple with just a few tweaks to the angle of wooden ‘stand-in’ sword and Gerwyn’s positioning …

the background

For the background I was recommended a location called Triscombe Stone near Bridgewater in Somerset, UK so in the week since the shoot I dropped the postcode in my SatNav and headed off …

When photographing the background I set the tripod to the exact same height that it was when I photographed Gerwyn in the studio. This was made very easy to remember because it just meant opening out the 3 legs but not extending them …

I set the same focal length on the lens and focused on the ground at a point that was approximately the same distance from the camera as Gerwyn was during the studio shoot.

The aperture when photographing the backgrounds wasn’t the same as in the studio; I went for f/9 - f/11 so that there was much more depth of field unlike the original f/5.6 … which is what Gerwyn was photographed at in the studio.

building the background

The background in the final image is made from 2 images that I combined together in Photoshop. The final merged background was then made wider using the Content Aware Scale function. Generative Expand and Content Aware Fill were not used because for this image they didn’t produce a desirable result.

Using adobe’s AI to create the sword

I used the Selection Brush Tool in Photoshop to select the stand-in wooden sword with a little bit extra added so that when the sword was generated, by typing a simple “Medievil Sword” prompt into the Contextual Task Bar, it gave extra space for additional elements to be added such as the dome shaped decorative element on the handle …

The final composite image

Anyway I hope that’s useful / interesting to you, but also to let you know … all of the retouching steps creating the composite I’m going through in one of the classes I’m presenting at FREE the upcoming Photoshop Creativty Virtual Summit …

If you Register for a FREE PASS you’ll have access to this class for 48 hours from when it goes LIVE during the Summit Week. Also if you grab a VIP Pass you get to keep ALL of the content from all of the instructors PLUS I’ll be creating an additional video taking you through all of the Behind the Scenes showing the studio set up, lighting etc when capturing the photographs of Gerwyn.

With friends ( L to R ) … Ian Munro, Gerwyn Williams, Yours Truly and Anthony Crothers

Of course I couldn’t resist doing a print …

This one from my Canon Pro 300 using Black & White Mode onto Portrait White 285 Fine Art Paper from Permajet …

As always if you do have any questions, please make use of the comments section below and I’ll reply to you there.

Thanks for looking in,
Glyn

© Glyn Dewis 2025