Photoshop

🚨 Adobe’s New Cloud Selection Technology: Hype or Reality?

One of the areas Adobe has been relentlessly improving in both Photoshop and Lightroom is selections. Over the years, the tools have become smarter, faster, and more automated. Today, we can make incredibly intricate selections with just a single click. At least, that is what Adobe says.

But if you are anything like me, you will know that demo images shown on stage or in marketing videos always look perfect. They are the kind of photos you would expect to work well in a demo: clean backgrounds, well defined edges, controlled lighting.

That is not real life.
So the question is: what happens when we use these tools on our own photos?

Recently, I tested Adobe’s new Cloud Detailed Results option for Select Subject using nothing more than some quick shots I had taken on my iPhone. The results were genuinely impressive.

Device vs. Cloud: What Is the Difference?

When you click Select Subject in Photoshop, you now have a choice:

  • Device – the selection is processed locally on your computer.

  • Cloud Detailed Results – the file is sent to Adobe’s servers, where the AI analyzes the image and sends back a more refined selection.

The device option is fast but often rough around the edges. The cloud option takes a little longer, but the results are noticeably more accurate.

Putting It to the Test

To really see the difference, I used a handful of everyday photos. Nothing staged, just casual iPhone shots. Here are a few examples:

Motorbike Portrait

With the device option, edges around wheels, helmets, and clothing looked rough and patchy. Switching to the cloud option instantly cleaned things up. Spokes, frames, and even tiny gaps were handled beautifully.

Tree with Branches

This was the kind of subject that used to take several different techniques combined. The cloud option managed to capture the branches and trunk in one go. Yes, there were a few areas that could be tidied up with a brush, but the heavy lifting was done.

Bicycle Spokes

Ordinarily, this is a nightmare for selections. Yet the cloud option picked out individual spokes, valves, and gaps between them. Minimal cleanup needed.

Setting Your Default

If you want Photoshop to always use the cloud option, head to Preferences > Image Processing. Under Select Subject and Remove Background, choose Cloud Detailed Results. From then on, every time you use those tools, Photoshop will default to the cloud method unless you manually switch.

Final Thoughts

I will admit I was skeptical. On demo images these things always look good, but I did not expect my casual iPhone shots to stand up so well. The results from Cloud Detailed Results were consistently sharper, cleaner, and more accurate than anything the device option gave me.

And just to clear up a common question: this does not use your generative AI credits. It is simply sending your image to Adobe’s servers for analysis and returning a selection.

Selections have always been one of the most tedious parts of editing. This new technology does not just save time, it also frees up creative energy. Instead of fighting with edges and masks, you can focus on the fun part: being creative.

Exciting times ahead, and if this is what Adobe is offering now, I cannot wait to see how much better it gets.

The Remove Prompt in Photoshop

The NEW Remove Button in Photoshop that I mentioned about in an earlier post where I shared a video, has been added into Photoshop to prevent what are referred to as "Hallucinations", which is when instead of Removing something, Photoshop would add in a random object.

This works incredibly well BUT doesn't give 3 Variations to choose from, so (and this is new) to use the EXACT SAME technology, make a selection and then type "Remove" in the Contextual Task Bar.

This WILL remove whatever you have selected but now gives you 3 variations to choose from.

Note: Even though this is removing, as it's giving you 3 variations this does mean that credits are deducted.

No Limits Creativity and Visual Storytelling with Kirk Nelson aka The Pixel Pro

Watch the recording of this LIVE Broadcast from when I chatted with Photographer and Photoshop Artist Kirk Nelson aka The Pixel Pro and discovered how we creates his Fantasy Art Composites and creates Special Effects in his Images …

links mentioned in the video:

50% OFF Courses, Overlays ans Bruashes in Kirk’s Store using code: friendsofglyn

Kirk’s link for a FREE PASS at the Photoshop Creativity Virtual Summit:
https://bit.ly/pixelpro-creative

AI versus Old-School Photoshop – Which One Wins?

Artificial Intelligence is revolutionizing Photoshop, but is it always the best option?

In this video, I show how technology we've had in Photoshop for a number of years can produce a much better result when expanding an image ... and the results might surprise you!

🔍 Watch to find out:
✅ Alterative tools/techniques to Generative Expand
✅ How to get BEST results using Content Aware Scale

⏰ Chapters:
00:00 - Introduction
02:03 - Generative Expand
04:30 - Content Aware FIll
06:58 - Content Aware Scale
09:50 - Even BETTER Results

😲 Most People MISS This! Perfect Compositing & Lighting in Photoshop

Did you know that Adobe’s Generative Fill AI isn’t just about adding objects—it’s smart enough to match the lighting and shadows in your photos perfectly? 🤯

In this video, I show you how Generative Fill uses AI to seamlessly blend new elements such as hair into your image while maintaining realistic light, shadows, and perspective.

⏰ Chapters:
00:00 - Introduction
00:40 - Adding Hair / Matching Lighting
03:50 - Viking Composite
05:10 - Viking Hair Selection New Workflow