Photography

Why I Love AI ... and Why I'm Still the Boss 😎

When I think back to the not-too-distant past, it's wild how much has changed. An editing task that used to take me thirty minutes (hair selections, cloning, backdrop cleanup) now takes about thirty seconds; and THIS is why I'm excited about what AI brings to the party.

AI: The Best Assistant I Never Had to Train

Look, nobody got into photography because they dreamed of removing sensor dust or spending three hours meticulously masking flyaway hairs. That stuff isn't the art. It's just the cleanup crew work that has to happen before we get to make our magic.

And honestly? AI is brilliant at that stuff.

Think of it this way: AI handles the grunt work so I can focus on the vision. It's like having an incredibly fast, never-complaining assistant who's amazing at the boring bits and then steps aside when the real creative decisions need to be made.

Oh and those decisions that need to be made? Those are still mine.

Where AI Stops and I Begin

There's a line, though, and it's one I think about a lot.

AI can smooth skin, relight faces, swap out skies. It can create a technically "perfect" image in seconds. But here's the thing: perfect isn't always interesting. Sometimes those ultra-polished images feel a bit ... lifeless. Like they're missing something human.

The magic happens in the choices we make. The colour grade that shifts the whole mood. The decision to keep a little texture in the skin because real people aren't porcelain. The way we balance light and shadow to tell the story we want to tell.

That's where our style lives. That's the part AI can't do because it doesn't have taste, intuition, or a point of view.

It's a tool. A really good tool. But we’re the one holding it.

Getting My Life Back

The biggest win isn't just sharper images or cleaner backgrounds. It's time.

AI is giving me hours back. Hours I used to spend in my office, squinting (I’ve now got new glasses) at a monitor, doing repetitive tasks that made me question my life choices.

Now I can use that time for the stuff that actually matters: shooting more personal projects, experimenting with new techniques, or better still, spending time with my wife and friends. Making memories instead of just editing them. Living the life that's supposed to inspire the work in the first place.

We shouldn't fear these tools. We should embrace them (smartly) so we can get back to doing what we love.

Where Do You Stand?

I'm curious how you're navigating this shift.

Are you using AI tools to speed up your workflow? Or are you still figuring out where the line is between "helpful assistant" and "too much automation"?

I'd love to hear how you're finding the balance in the comments below.


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The Return of Intention: The Camera Comeback! πŸ“·

It seems counterintuitive, perhaps even backwards. We walk around with incredibly powerful computers in our pockets, equipped with camera systems backed by billions of pounds of R&D and AI processing. These devices have democratised photography on an unprecedented scale. In recent 2025 data, smartphones capture around 92.5% of all pictures taken globally, leaving only 7.5% to conventional cameras (PhotoAid) (ElectroIQ). In the war for convenience, the smartphone has won decisively.

The Pivot

But if mobile photography is the undisputed champion of convenience and technical prowess, why are we seeing significant cracks in its dominance? Why, in an era of hyper-advanced phone sensors, are Gen Z buyers scouring eBay for 20-year-old, low-megapixel Canon PowerShots, and why are modern, retro-styled cameras like the Fujifilm X100VI so popular that waiting lists and intermittent shortages have persisted well into 2025 (Digital Camera World) (Yahoo)? Something fascinating is shifting in the photographic landscape: a cultural counter-movement away from frictionless, instant capture toward something slower, more deliberate, and more tangible.

Craving Friction in a Seamless World

This resurgence of traditional cameras - ranging from vintage "digicams" to high-end mirrorless systems - is not just a passing fad. It reflects a psychological response to increasingly automated, AI-mediated lives, where many people feel over-optimised and under-expressed (Passport Photo Online). Cultural reporting and social trends show younger users embracing tools that feel imperfect, limited, and more human in how they render the world.

1. The Revolt Against AI Perfection

Modern smartphone cameras rely heavily on computational photography and AI to render a "perfect" image instantly: enhanced skies, lifted shadows, and smoothed skin by default (Fortune Business Insights). For many - especially a generation raised entirely on screens - this perfection can feel sterile and inauthentic, feeding fatigue with the "over-processed" look.

This sentiment has helped fuel a revival of early-2000s point-and-shoot digital cameras, where users actively seek harsh flash, grainy low-light performance, and unpolished color as part of a more "real" aesthetic. In line with this shift, compact camera sales and shipments in Japan climbed again in 2024 after years of decline, marking the first clear rebound in that segment in roughly seven years (PetaPixel) (AI-AP).

2. The Tactile Rebellion

Humans are tactile creatures, and many are growing weary of tapping glass screens to perform every function in their lives. Cameras that emphasize physical controls - shutter speed dials, aperture rings, ISO knobs, and mechanical shutters - turn photography back into a physical craft rather than just another app interaction (FujiX Weekly). Recent financial and industry reports highlight strong demand for enthusiast-focused, retro-styled models like the Nikon Zf, which has contributed meaningfully to Nikon's imaging profits and unit growth in 2024-2025 (The New Camera).

3. The "Single-Purpose" Digital Detox

Perhaps the most profound insight is that the phone is simply too good at too many things. The moment you take a photo, you are milliseconds away from an email notification, a message, or the urge to edit and post instantly on social media, collapsing creation and distraction into the same gesture. A dedicated camera does essentially one thing, and picking it up creates a small "pocket of time" in which attention narrows to seeing and composing, separating the act of photographing from the noise and incentives of the broader internet (ElectroIQ).

The Takeaway

The shift back to traditional cameras is not primarily about technical image quality. In many measurable respects, the phone in your pocket may outperform the vintage digicam being bid up online, from dynamic range to autofocus intelligence. This movement is about mindfulness: embracing a bit of friction, accepting imperfections, and reclaiming the feeling that you - not an algorithm - made the photograph, signaling a genuine return of intention to photography.

References

  1. PhotoAid - Mobile Photography Statistics

  2. ElectroIQ - Mobile Photography Statistics

  3. Yahoo - Compact Cameras Firmly Back in Spotlight

  4. Digital Camera World - Compact Cameras Are Firmly Back

  5. Passport Photo Online - Mobile Photography Trends

  6. PetaPixel - Camera Sales Surged in Japan

  7. AI-AP - Sales of Compact Cameras in Japan

  8. Fortune Business Insights - Computational Photography Market

  9. FujiX Weekly - Why the Upcoming Nikon Zf Won't Be a Fujifilm Killer

  10. The New Camera - Nikon Imaging Business Booms

  11. ElectroIQ - Camera Statistics


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No Limits Creativity and Visual Storytelling with Kirk Nelson aka The Pixel Pro

Watch the recording of this LIVE Broadcast from when I chatted with Photographer and Photoshop Artist Kirk Nelson aka The Pixel Pro and discovered how we creates his Fantasy Art Composites and creates Special Effects in his Images …

links mentioned in the video:

50% OFF Courses, Overlays ans Bruashes in Kirk’s Store using code: friendsofglyn

Kirk’s link for a FREE PASS at the Photoshop Creativity Virtual Summit:
https://bit.ly/pixelpro-creative

ShiftCam ProGrip: The Best iPhone Photography & Video Grip?

Is the ShiftCam ProGrip the ultimate accessory for iPhone photography and videography? In this video I give you hands-on honest look both positive and negative of this iPhone Traditional Camera Style Grip; its ergonomic design, wireless charging, and enhanced grip to see if it truly transforms your iPhone into a pro camera setup. Whether you're a content creator, mobile filmmaker, or just love taking photos, this grip might be a game-changer!

πŸ”Ή What You’ll Learn in This Video:
βœ”οΈ Hands-on review of the ShiftCam ProGrip
βœ”οΈ Key features & benefits for iPhone photography & videography
βœ”οΈ How it enhances stability, ergonomics, and battery life
βœ”οΈ Is it worth the price?

πŸ“Œ Check out the ShiftCam ProGrip and other Mobile Accessories I use here: ( LINK )

Turning IMAGINATION into REALITY with Photography and Photoshop | Dracorubio

Watch the recording of this LIVE Broadcast as I chat with Photographer and Digital Artist Roderique Arisiaman aka Dracorubio and discuss his Photography, ideas, inspiration and his retouching process for turning his imagination into reality and a final image.

links mentioned in the video:

Roderique’s Website: www.dracurobio.com

Flickr: www.flickr.com/photos/dracorubio

Instagram: @roderique_arisiaman

 

Roderique’s Promo / Slideshow

Capturing and Creating FINE-ART DREAM-LIKE IMAGES of the LANDSCAPE with Enrico Fossati

Watch this recording of LIVE Broadcast as I'm joined by FINE ART LANDSCAPE Photographer Enrico Fossati and go Behind the Scenes to discover his process for capturing and creating such INCREDIBLE Fine Art, Dream-Like Images of the Landscape.

links mentioned in the video:

*Use Discount Code: GLYN24 for €30 Euros OFF (valid until 30th September 2024)

Enricos’s Inspiration

Fantasy Illustrators:

John Howe , Allan Lee, Ted Nasmith, Les Edwards, Frank Franzetta,

Painters:

Albert Bierstadt, Thomas Cole, Edwin Church, Caspar David Friederich, William Turner … and many more

Mastering the Art of Landscape Photography with Ian Asprey ( Landscape Photographer of the Year 2021 )

Join me for this YouTube LIVE Broadcast as we delve into the world of landscape photography with Ian Asprey - Landscape Photographer of the Year 2021.

From breathtaking vistas to the intricate details of composition, Ian will share his insights, techniques, and tales from behind the lens. Watch the recording of this LIVE Broadcast to discover the secrets behind his award-winning shots and be inspired by a Master of the Craft.

Links mentioned during the LIVE Broadcast

Ian Asprey Website: www.ianaspreyphotography.co.uk

Facebook: facebook.com/ian.asprey

Instagram: @landscapes_ianasprey

Mark Andreas Jones: www.markandreasjones.com/

Lightroom Virtual Summit 2024: bit.ly/lvs-2024

Calibrating my iPad Pro for Photography

One thing I always do when taking portraits is shoot tethered and that always used to be with my camera connected to my MacBook Pro or laptop BUT that has now changed to being my iPad because its way more portable and convenient.

I use the CaptureOne app for the tethering which works so incredibly well .. literally just open the app, plug in your camera (you can also use it wirelessly) and you’re up and running. You can even use it to tether to your iPhone … if you have one.

The only problem i find is that the screen on the iPad out of the box is too contrasty … its set up so that it gives the richest colours and the deepest blacks for when using apps, watching movies, playing games, looking at pictures which is great but not ideal for when using it when tethering.

However I have the 6th generation 12.9” iPad Pro running iOS 17.3.1 and this has Reference mode and this we can use to kind of calibrate the screen to something more suitable for photography.

NOTE:
Reference mode is actually available on 12” iPad Pro 5th generation or later and requires iOS 16 or later.

The Art of CINEMATIC TOY PHOTOGRAPHY | Jesse Feyereisen

Watch the recording of this LIVE Broadcast as I chat with the wonderful talent that is Jesse Feyereisen and go Behind the Scenes to discover how he lights, photographs and edits to create such incredible imagery of Toys and Action Figures …

Links mentioned in the video

Jesse Feyereisen Website: https://www.jessefphotography.com/

Instagram: @jessefeyereisen

Facebook: @jessefeyereisen