In this video I show how I retouched a car photograph taken on location, step by step using Lightroom on an iPad. The workflow show how incredibly powerful and useful masking is to isolate certain areas and make the car POP!
ShiftCam ProGrip: The Best iPhone Photography & Video Grip?
Is the ShiftCam ProGrip the ultimate accessory for iPhone photography and videography? In this video I give you hands-on honest look both positive and negative of this iPhone Traditional Camera Style Grip; its ergonomic design, wireless charging, and enhanced grip to see if it truly transforms your iPhone into a pro camera setup. Whether you're a content creator, mobile filmmaker, or just love taking photos, this grip might be a game-changer!
🔹 What You’ll Learn in This Video:
✔️ Hands-on review of the ShiftCam ProGrip
✔️ Key features & benefits for iPhone photography & videography
✔️ How it enhances stability, ergonomics, and battery life
✔️ Is it worth the price?
📌 Check out the ShiftCam ProGrip and other Mobile Accessories I use here: ( LINK )
Mobile versus Mirrorless: Decisions to be made in 2025
Watch the recording of this LIVE Broadcast as I chat with my friend and Photographer Brian Matiash (Adobe Lightroom Team) and discuss using Mobile devices for Photography.
Should I continue doing so in 2025? Lenses and Filters for Mobile, What I’ll be using my Sony Mirrorless for, What do I make of the OM1 MK2 and a whole lot more ...
links mentioned in the video:
Brian Matiash Website: ( LINK )
Brian Matiash YouTube Channel ( LINK )
Glyn’s Lyme Sunset Picture + Edits in the Lightroom Community: ( LINK )
NOTE
If you’d like any of your images to be considered for one of my ‘LIVE RetouchingBradcasts’ simply create a Collection (Lightroom Classic) or an Album (Lightroom Desktop) and Share it with me at gadewis@mac.com making sure that you set permissions to Edit and not just View.
Improved SKY MASKS in LIGHTROOM Mobile using INVERT not INTERSECT
Making accurate Sky Masks in Lightroom Classic and Desktop is made so much easier using the 'Intersect' Command.
However this isn't currently available in Lightroom Mobile and neither is the 'Invert from Sky Selection' command.
So what can we do?
To download the Raw File and my Sunny Day at Lyme Preset, use the button link below to receive my Twice-Monthly Newsletter and have Access to the PRIVATE PAGE containing SUBSCRIBER-ONLY Content …
COMPLETE Retouching Workflow in LIGHTROOM on an iPad
Retouching a Seascape Photography from Start to Finish using ONLY Lightroom on the iPad.
To download the Raw File and my Sunny Day at Lyme Preset, use the button link below to receive my Twice-Monthly Newsletter and have Access to the PRIVATE PAGE containing SUBSCRIBER-ONLY Content …
COMPLETE Portrait Retouching Workflow in LIGHTROOM on an iPad
In this video I go through a complete Portrait Retouching Workflow in Lightroom on my iPad …
IT DOESN'T GET EASIER THAN THIS 🥹 Mobile Photography and COMPLETE Editing Workflow
Here's the recording of last nights YouTube LIVE where I went through the capture and edit of a recent seascape long exposure using my iPhone 14 Pro Max, ReeXpose, Lightroom and Photoshop.
Also covered some of my 'wishes' for the iPhone 15 Pro Max ... or whatever it will be called 😃 and how the change (I hope) to USB-C will make a HUGE difference to the mobile workflow, especially when travelling and away from good internet speeds.
FINALLY got the BEST PHONE MOUNT ... no more WASTING MY MONEY!!!
I've wasted so much money on c&$p holders for my phone so that I can use it on my tripod, but I've finally found the BEST one on the market (in my opinion) for build quality, ease of use and value for money …
The ULANZI ST-27 ( LINK )
My camera is ALWAYS with me ... thankfully
Now when I say camera, I mean the camera that, because of apps, I can do other things on like email, check the weather, browse websites and all that kind of stuff … you know the one I mean right?
Anyway, thankfully it’s always with me, and thankfully I always keep a tripod in the car, which meant when I popped down to Lyme Regis for a couple of hours yesterday afternoon I didn’t miss the opportunity to take some photographs of a superb incoming tide of crashing waves …
For this image I took. a series of 0.5 second and 1 second exposures using both the Lightroom Camera and ReeXpose, and then blended parts together in Lightroom and Photoshop to end up with a scene that for me best represents what it was like being there, as wave after wave crashed into the rocks.
How to make the DARK and MOODY PRESET in Lightroom (and Camera Raw)
The Dark and Moody look is extremely popular at the moment especially on social media; it's a great look that can add drama and impact to your pictures.
Here's how I create it and how to make it as a preset so that you can quickly and easily use it again and again in Lightroom Classic, Lightroom CC, Lightroom Mobile and Camera Raw.