A few days ago, my wife and I took the short drive from home over to beautiful Lynmouth as I’d had an idea about creating a timelapse showing the tide coming in.
Having checked the tide times we arrived just after…
Over the moon seeing the design for the front and rear cover yesterday of my latest (4th) book, The Photoshop Layers and Selections Workshop, published by Rocky Nook. (publish date of August 2021)
Designed by my mate Dave Clayton, there’s also some images to be added on the back cover and he’ll no doubt be adding his usual magic finishing touches, but even seeing it as it is now I’m so incredibly happy with it!
VERY happy too that the one and only Dave Cross has writtten the foreword. Without Dave being out there sharing his knowledge when I first started out, I very much doubt that I’d be doing what I’m doing today!
Getting so close to finishing the writing now (full steam ahead this week) and getting it all over to Rocky Nook publishers
Oh, and it’s available for pre-order on Amazon too 🙂
Cheers
Glyn
Since we all started living with restrictions due to the current Covid-19 Pandemic, I’ve been enjoying getting out and experimenting with other genres of photography as I’m unable to take portraits.
Before this time I guess you could say I was a strict portrait photographer in that, if I wasn’t taking a portrait, then my camera remained in my camera bag. I never felt the urge to try anything else.
Landscapes, Seascapes and Woodland is not only proving to be a heck of a lot of fun and a great way to keep the tools in my hand and keep…
It might sound odd to say this, but I honestly believe the Covid-19 restrictions placed on our daily lives have made me a better photographer. Before then, the only time I'd have a camera in my hands was to take a portrait; as a portrait photographer, I just wasn't interested in other genres. The restrictions forced me to try other types of photography, and that has 100% made me a better photographer. Here I explain how that all changed and why I believe it so strongly.
Following on from my previous post, here’s a portrait taken of a male surfer on the beach at Saunton Sands in Devon using the new Sony A1 and the Westcott FJ400…
If you ever share video content on social media, then check this short video out to see how you can use Premiere Pro CC and the Auto Reframe function to make sure it looks its very best…
I got my hands on the Sony A1 for a very quick photo shoot of a surfer on the beach at Saunton Sands in Devon, on a very bright day. I had just five minutes with the camera, and in that short time it won me over. This video shows that five-minute test on the beach and why I came away completely sold on it.
Here's a short video showing a quick, simple technique in Photoshop for colour correcting your images and removing colour casts. It's super fast; blink and you'll miss it. Better still, the same technique could also be recorded as an Action, which means you could fix thousands of images with a single click rather than working through them one at a time.
Sat here reflecting on the past 18 months or so of us all living with the Covid 19 Pandemic and subsequent restrictions.
Hard to fathom that its been so long since I’ve been able to continue with my 3945 Portraits Project, photographing World War 2 Veterans with the sole purpose of…
Over the past 12 months since the Covid-19 Pandemic emerged and restrictions were placed on our daily lives, I’ve mentioned in my recent videos how not being able to take portraits has made me play with other genres of photography with a view to keeping creative, and keeping the ‘tools in my hands’.
I’m throughly enjoying my landscape photography project; not just for the photography side of things but also, and most importantly, it means I’m outside in the fresh air…plus many other benefits.
I’ve also been enjoying getting out with a 600mm lens and photographing Bird Life; be it in my back garden or on the nearby coast.
Photographing something different like this has been not only been great escapism and source of enjoyment but has also been great for diving into camera settings I ordinarily wouldn’t have / didn’t, with my portrait work…
Focus Tracking, Back Button Focusing, Crop Sensor Mode and so it goes on; I’m genuinely having so much fun with this.
Anyway, I thought I’d share some of this info just in case you too were thinking of giving it a try…
I’ll be experimenting more and more with these, but for now, here’s what my basic settings are:
Mode: Aperture Priority
Aperture: f/5.6 to f/6.3, which is as wide open as possible on the 600mm lens I’m using
ISO: Auto
The focus tracking has blown me away.
I’ve set my camera up so that I can very quickly jump from a Wide Focus Tracking Area to a Flexible Spot (small) and a Flexible Spot (medium) Tracking Area; all I have to do is press the AEL button on the back of the camera to jump from one to the other.
Generally when a bird is in flight I’m using the Wide Focus Area (Tracking) which means that as soon as anything is within that area, the camera locks on and the focus is bang on as it adjusts whilst the bird is moving. Incredible.
I use the Flexible Spot (Tracking) every other time. Simply position the focus area over the bird, press the Back Button Focus to lock on and that’s it. Wherever the bird moves (or I move the lens to change the composition) the focus is locked onto the bird.
Never had any cause to use this until now but wow…this makes a HUGE difference in your success rate!
Aim lens at Birds
Hold down assigned button to activate Back Button Focus (I have assigned the AF-ON button)
Keep tapping the shutter button to immediately take in-focus images because the camera is locked on. No delay whatsoever in taking pictures because the camera is already focused! Brilliant!
A great function built into my Sony A7RIV is the Crop Sensor (APS-C) mode which in simple terms extends the reach of the lenses I use. The 600mm becomes a 900mm (thereabouts) which means I can get in closer and get pinpoint focus and sharpness. The resolution goes from 61 Mega-Pixels to 26 Mega-Pixels which still produces a fantastic, detailed and sharp image.
You might question doing this and consider cropping in post afterwards rather than doing it in-camera. This would still give a great result because of the 61 Mega Pixels you have to play with (in a Sony A7RIV) but I prefer to do this in-camera. There are beneficial differences to doing in-camera so at some point I’ll do a side-by-side comparison and share the results.
As a side note, it’s also easier to pan when you can see the bird / subject closer in at the time of shooting.
I have the C4 / Trash button assigned to activate the APS-C Crop Sensor mode simply by pressing it and then pressing again to return to full frame.
I’ve mentioned that I’m using my workhorse Sony A7RIV but thought I’d show what I’m using with it when doing this stuff.
Lens: Sony 200mm – 600mm FE f/5.6 – f/6.3 G (LINK)
Despite the size of this lens it’s actually not that heavy so could be used handheld…for a while.
That said, I’m using it with the Gimbal below…
Gimbal: Neewar Carbon Fibre 360 Degree Panoramic Gimbal (LINK)
This is a total game-changer making it so easy to move quickly and effortlessly in all directions.
Love it!
One thing is for sure, and that’s when restrictions ease and we can all go back to living some kind of a normal life Post-Covid, even though my main photography work is taking portraits, I’ll be carrying on with my landscape project and photographing wildlife such as this.
This period of time where we’ve all had to adapt to restrictions has literally opened my eyes. Whereas before, I guess I was blinkered in that I shoot portraits and absolutely love it, and when there were days with no portraits to shoot my camera stayed in the bag, this won’t ever be the case again.
It’s so good to keep the tools in your hands and actually I think being out doing what I have been doing this past 12 months has had a huge mental and physical benefit.
Photography is so much more than pixels and kit; the escapism and sheer joy of photographing what makes YOU happy is immeasureable!
Catch you next time,
Glyn
© Glyn Dewis 2026
