The photograph in the video above was edited from start to finish in Lightroom, and I didn't make a single one of the adjustments. ChatGPT did. It used my Lightroom, moved the sliders, made the masks and took the picture from a slightly underexposed raw file to a finished edit, in my style.
ChatGPT has been able to use your computer for a while now. You give it permission and it takes over the mouse and keyboard and works through a job the way you would, opening apps, clicking and typing, and you can see everything it does as it does it and stop it at any point. With the recent update to Astra it's taken a real step up, which got me wondering whether it could actually edit a photograph. I don't mean generate a new picture; I mean sit inside Lightroom and edit a raw file with the same tools I use, and learn to do it the way I would.
Teaching it my style
The first job was getting it to understand how I edit. In Lightroom I set up an album called My Seascape Style with 11 of my images in it. Some still have their adjustments visible, masks included, so it could see exactly what I'd done. Others have the edit baked in, because I'd sent them over to Photoshop for some heavy lifting and brought them back, so there's nothing in the panels to look at, only the finished picture.
I used GPT-6 Astra with the effort level set to high. Day to day I find medium is plenty, but for studying my edits I wanted it to do an extra good job, even though it takes longer.
Then I told it what I wanted, dictated rather than typed because it's quicker. Look at every image in the album, study the adjustments, the masking, the detail and the colour grading, and try to understand not only what I'd done but why. For the images with nothing visible in the panels, study the mood and the atmosphere and the tonality instead, and work out what I'd have done to get there.
As soon as I sent it, ChatGPT asked for permission to use Adobe Lightroom, and I allowed it for that conversation. From then on you can watch it working away on its own, opening images and panels and looking around.
Watching it work
What really interested me was how far it went. It dived into the masking and looked at how I'd masked the rocks in the foreground and the adjustments I'd used to bring them out, which is exactly the kind of fiddly detail I'd half expected it to skip.
It posts updates as it goes, and part way through it had noticed that I recover the highlights and open up the shadows, then bring the depth back with control over the black point and selective detail. It had even picked up that I use one film-style profile for the warmer, pastel pictures and a different one for the cooler surf shots.
The whole thing took 11 minutes and 30 seconds. At the end it said it had reviewed the adjustments across all 11 images, including 27 local masks, saved an image-by-image reference of my style, and, thankfully, left my images unchanged.
Handing it a raw file
For the edit itself I picked an unedited raw file from the Local tab in Lightroom, a seascape that was slightly underexposed, which felt like a fair test. I told it to edit the image in my style using everything available in Lightroom, including the masking, the colour grading and denoise, then sat back with my arms folded to prove I wasn't touching anything.
When it finished, it described what it had done as my pastel seascape treatment: pink and lavender grading, cool water, deep textured rocks and luminous foam. The edit included four separate masks, denoise, selective sharpening, a custom tone curve, subtle grain and a vignette, plus a horizon correction.
What it actually did
Going through the Edit panel, it had chosen a profile and made adjustments right through the Light section. In the curve it had done one of the things I love to do, which is lift the blacks so they aren't a deep zero black, and it did that on a point curve. It used the colour mixer, and in the colour grading it worked on the shadows and midtones as well as the blending and balance. It used denoise too, and it built all those masks.
Hand on heart, that's pretty much how I would have edited it. I wouldn't leave it exactly as it is, I'd go in and tweak a few things, but it got me about 90% of the way there in roughly 10 minutes.
Try it with your own photos
If you'd like to give this a go, the detailed prompt I used is free to download. Head over to the classroom in my free Photography Community on Skool and you'll find it under YouTube download files:
https://www.skool.com/photography-community/about
Where this leaves us
There's been a lot of resistance to letting AI edit our photographs, and for good reason. When it generates the picture for you the quality drops, at the moment anyway, and you can't go back in and adjust what it's done. This is very different; it's using my software to make the same manual adjustments I'd make to my own raw files, at full quality, and every one of them can still be changed.
It's not something I'd do myself, because editing is a big part of how I make a picture mine and I just love the process. However, if you're new to editing and don't know where to start, or you know what you want but not how to get there, this is a bit like having someone who's really good with Lightroom sit next to you and show you what they'd do. You can watch every move it makes and undo any of them, and I think there's real potential in that as a way of learning.