podcast

ChatGPT's Brutual Words on the Future of Photo Editing

I recently sat down with ChatGPT to discuss the future of AI in photo editing. But this wasn’t the usual polite, agreeable AI conversation. I asked for the "On Edge" take - no fence-sitting, just the brutal truth.

The consensus? The days of manually pushing pixels are numbered. We are moving from a world of technical craftsmanship to one of creative direction.

Here is the unvarnished reality of where photo editing is heading.

1. The "Mixed Bag" Reality Check

If you think AI is just going to make everyone a creative genius, think again. The future is a double-edged sword.

  • The Pro: Tasks that used to take hours will take seconds. The grunt work is disappearing.

  • The Con: We are about to see a flood of "cookie-cutter" edits.

  • The Hard Truth: AI will widen the gap between "okay" and "truly skilled." When anyone can press a button to get a polished image, technical skills stop being the differentiator. The real separation will be pure creative vision. If you’ve been relying on technical tricks rather than an artistic eye, you might feel exposed.

2. Photoshop as a "Cockpit" Not a Workbench

We are already seeing Adobe integrate third-party tools (Google’s models, Black Forest Labs’ Flux, Topaz) directly into Photoshop. This is a strategic power move to keep Adobe as the "hub" of the ecosystem.

But how will the interface evolve?

Expect Photoshop to shift from a manual workshop to a Command Center.

  • Current State: A toolbox where you manually tweak curves, levels, and stamps.

  • Future State: A cockpit of "AI Co-pilots." You will direct intelligent agents to execute tasks.

You will say, "Give this a cinematic mood," and one AI will handle the grading. You’ll say, "Fix the skin texture," and another handles the retouching. You are no longer the mechanic; you are the Creative Director.

3. The New Skill Gap: Prompting vs. Sliders

This is the part that makes old-school retouchers nervous. The slider days are fading; the era of "describe what you want" is taking over.

The differentiator is no longer how well you know a hidden menu in Capture One or Lightroom. It is about how you steer the AI.

Old Skill Set / New Skill Set

The secret sauce is now the instructions you give. The AI can’t imagine on its own; it needs your taste to guide it away from the generic and toward the unique.

4. Adapt or Die: A Note to Educators and Pros

For those whose entire business model relies on teaching people how to use sliders and manual tools, this is a major shake-up. But it’s not doom and gloom—it’s a pivot.

  • For Educators: Stop teaching button-pushing. Start teaching creative thinking, prompt crafting, and vision. Move from being a technical instructor to a creative mentor.

  • For Retouchers: AI gets you 90% of the way there, but it lacks the "human touch." Become the specialist in that final 10%—the subtle artistic decisions and finesse that an algorithm misses.

5. The "Generated Pixel" Controversy

Camera clubs and traditionalists are rightfully concerned. When an image contains pixels the photographer didn't capture, is it still photography?

The advice is simple: Don't fight the tide, surf it.

We need transparency and clear categorization:

  1. Pure Capture Categories: Strictly no generated pixels.

  2. AI-Augmented Categories: Open experimentation.

Photography has evolved before (film to digital), and this is just the next step. By separating the categories, we preserve the tradition of the craft while allowing space for the new wave of digital art.

The Bottom Line

The future isn't about the software tools vanishing; it's about them moving to the background. The sliders will likely remain tucked away for the die-hards, much like manual mode on a camera, but the workflow will be AI-first.

If you are worried about AI taking your job, remember this: The tool is changing, but the eye remains. AI can generate an image, but only a human can know if it’s right.

Interviewed by London Camera Exchange at the South West Photo Show

At the South West Photo Show in Exeter I sat down with Pete Rawlinson of London Camera Exchange for this interview. We talked about my 39-45 Portraits Project, the series honouring Second World War veterans through timeless portraiture, and the stories and inspiration behind it. Pete also asked about the way photography is changing, and I shared how I've embraced AI editing tools to help my creative process while still staying true to my own style.

Photography, Digital Art & Inspiration: Gary McIntyre Talks Shop

Gary McIntyre, photographer and digital artist, joined me for a live broadcast, and this is the recording of our chat. We talked about how he creates such compelling composite images and how he goes about capturing his stunning landscape photographs. Gary very much believes in sharing knowledge, because as he puts it, ultimately it helps us all, and that's very much the spirit in which he talks through his work and the way he approaches it.

links mentioned in the video:

Black and white photo of a snow-dusted mountain peak under a dramatic sky
Green mountain valley with a winding road and river under scattered clouds
Digital artwork of a woman with a braid and a pistol amid flying debris and ruined buildings
Digital artwork of a white-haired figure with a staff standing on a cliff edge under a fiery sky
Digital artwork of a red-haired warrior woman in armour with a flowing red cape and a raven

Photography and the Power of Community | Angela Nicholson

This is the recording of a live broadcast where I chatted with Angela Nicholson, a photographer, journalist and reviewer, and the founder of SheClicks, a community for female photographers. We talked about her own photography, her process and the gear she uses, before getting on to the big topic of the conversation: why community is so important in photography, and what being part of one can give you.

links mentioned in the video:

Silhouette of a surfer riding a wave in golden backlit spray
Black and white long exposure of smooth water with rocks and an old pier under a moody sky
Close-up of a purple pasque flower with feathery seed heads against a soft pink background
Border terrier lying on a floor with two blue and orange balls
Black and white photo of a lone tree on moorland with heavy blur around the edges

No Limits Creativity and Visual Storytelling with Kirk Nelson aka The Pixel Pro

This is the recording of a live broadcast where I chatted with photographer and Photoshop artist Kirk Nelson, also known as The Pixel Pro. Kirk's work is all about creativity without limits and visual storytelling, and during our conversation he explained how he creates his fantasy art composites and how he produces the special effects in his images, giving a real insight into the thinking behind his work.

links mentioned in the video:

50% OFF Courses, Overlays ans Bruashes in Kirk’s Store using code: friendsofglyn

Kirk’s link for a FREE PASS at the Photoshop Creativity Virtual Summit:
https://bit.ly/pixelpro-creative

Fantasy composite of a giant tortoise carrying a city above the clouds with aircraft flying past
Light painting of a figure with glowing rainbow wings standing in water before mountains
Young baseball player in a pinstripe number 7 uniform holding a bat behind his head under stadium lights
Light painting of a woman in armour with glowing golden wings standing in water at night
Silhouette of a figure inside a glowing orange light painted orb by a river at twilight

Discovering the HOW, WHAT and WHY for creating STUNNING HDR Images | Greg Benz

This is the recording of a live broadcast where I chat with photographer Greg Benz, who's very much the go-to person when it comes to HDR. We talk through the how, the what and the why of creating high dynamic range images, and just as importantly, how to display them so they're seen the way they're meant to be. If HDR is something you've heard about but never quite got your head around, this conversation covers what it is, why it's worth considering and how to go about making stunning HDR images of your own.

links mentioned in the video:

Row of tall canal houses reflected in still water under a pink sunset sky
Concrete bridge over a weir with a city skyline under a pink and purple sky at dusk
Ornate building lit at night above a glistening wet cobbled square
Black and white landscape of layered rock ridges leading towards rounded hills under a dramatic sky
Long exposure of waves washing over rocks towards a fiery sunset

Mobile versus Mirrorless: Decisions to be made in 2025

This is the recording of a live broadcast where I chat with my friend, photographer Brian Matiash of the Adobe Lightroom team, about using mobile devices for photography. The question was whether I should carry on doing so in 2025, and from there we get into lenses and filters for mobile, what I'll be using my Sony mirrorless for, what I make of the OM-1 Mark II and a whole lot more. It's a relaxed conversation about the decisions to be made between phone and camera, and the reasons behind each choice.

links mentioned in the video:

  • Brian Matiash Website: ( LINK )

  • Brian Matiash YouTube Channel ( LINK )

  • Glyn’s Lyme Sunset Picture + Edits in the Lightroom Community: ( LINK )

NOTE
If you’d like any of your images to be considered for one of my ‘LIVE RetouchingBradcasts’ simply create a Collection (Lightroom Classic) or an Album (Lightroom Desktop) and Share it with me at gadewis@mac.com making sure that you set permissions to Edit and not just View.

The POWER of PHOTOGRAPHY and Personal Projects | Ron Timehin

This is the recording of a live broadcast where I chat with London-based photographer and director Ron Timehin. We get into not only how he does what he does, but also the power of personal projects and what it's like working with big brands and well-known public figures. It's a conversation about the power of photography itself, and there's a lot in here for anyone thinking about starting a personal project of their own.

links mentioned in the video:

Stack of black and white photo books, the top one open
Two people walking along a foggy street towards a Gothic clock tower and grand buildings
City skyline of glass towers bathed in golden sunset light
Black and white profile portrait of a young man with an afro looking upwards
Family group of adults and children in colourful clothes standing in a street lined with white townhouses
Portrait of a man in a striped shirt and a seated girl in blue in a room with a patterned rug

The INCREDIBLE ADVENTURES of a Travel Photographer | Kristof Göttling

This is the recording of a live broadcast where I chat with travel photographer Kristof Göttling about his experiences and the lessons he's learned while travelling the world with his camera. We also hear about a chance meeting that resulted in his work being published by National Geographic, which is quite a story in itself. If you love travel photography, or you've ever wondered how a single encounter can open a door like that, there's plenty here to enjoy.

links mentioned:


Tall waterfall plunging into a deep green moss-covered gorge
Castle on a hilltop rising above dark blue mist and forest
Close-up of a brightly patterned red and blue lizard on a branch
Silhouette of a castle with turrets against a huge setting sun and an orange sky
Layers of hazy mountain ridges in warm brown and orange tones

WHAT IT TAKES to become a BOOK COVER PHOTOGRAPHER with Dave Wall

This is the recording of a live broadcast where I chat with book cover photographer Dave Wall. With over 1,000 book covers to his name, Dave is one of the most sought-after crime and thriller book cover photographers in the world, and we talk about what it takes to do what he does, his process, stock photography and a whole lot more. If you've ever looked at a book cover and wondered how the picture came about, this gives a real insight into that world.

links mentioned in the video:

 
Book cover of Essex Dogs, a novel by Dan Jones, showing a sword on a dark blue background
Silhouette of a figure walking past a lit pink and teal window at night
Narrow staircase lit in warm orange and cool blue light