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ChatGPT's Brutual Words on the Future of Photo Editing

I recently sat down with ChatGPT to discuss the future of AI in photo editing. But this wasn’t the usual polite, agreeable AI conversation. I asked for the "On Edge" take - no fence-sitting, just the brutal truth.

The consensus? The days of manually pushing pixels are numbered. We are moving from a world of technical craftsmanship to one of creative direction.

Here is the unvarnished reality of where photo editing is heading.

1. The "Mixed Bag" Reality Check

If you think AI is just going to make everyone a creative genius, think again. The future is a double-edged sword.

  • The Pro: Tasks that used to take hours will take seconds. The grunt work is disappearing.

  • The Con: We are about to see a flood of "cookie-cutter" edits.

  • The Hard Truth: AI will widen the gap between "okay" and "truly skilled." When anyone can press a button to get a polished image, technical skills stop being the differentiator. The real separation will be pure creative vision. If you’ve been relying on technical tricks rather than an artistic eye, you might feel exposed.

2. Photoshop as a "Cockpit" Not a Workbench

We are already seeing Adobe integrate third-party tools (Google’s models, Black Forest Labs’ Flux, Topaz) directly into Photoshop. This is a strategic power move to keep Adobe as the "hub" of the ecosystem.

But how will the interface evolve?

Expect Photoshop to shift from a manual workshop to a Command Center.

  • Current State: A toolbox where you manually tweak curves, levels, and stamps.

  • Future State: A cockpit of "AI Co-pilots." You will direct intelligent agents to execute tasks.

You will say, "Give this a cinematic mood," and one AI will handle the grading. You’ll say, "Fix the skin texture," and another handles the retouching. You are no longer the mechanic; you are the Creative Director.

3. The New Skill Gap: Prompting vs. Sliders

This is the part that makes old-school retouchers nervous. The slider days are fading; the era of "describe what you want" is taking over.

The differentiator is no longer how well you know a hidden menu in Capture One or Lightroom. It is about how you steer the AI.

Old Skill Set / New Skill Set

The secret sauce is now the instructions you give. The AI can’t imagine on its own; it needs your taste to guide it away from the generic and toward the unique.

4. Adapt or Die: A Note to Educators and Pros

For those whose entire business model relies on teaching people how to use sliders and manual tools, this is a major shake-up. But it’s not doom and gloom—it’s a pivot.

  • For Educators: Stop teaching button-pushing. Start teaching creative thinking, prompt crafting, and vision. Move from being a technical instructor to a creative mentor.

  • For Retouchers: AI gets you 90% of the way there, but it lacks the "human touch." Become the specialist in that final 10%—the subtle artistic decisions and finesse that an algorithm misses.

5. The "Generated Pixel" Controversy

Camera clubs and traditionalists are rightfully concerned. When an image contains pixels the photographer didn't capture, is it still photography?

The advice is simple: Don't fight the tide, surf it.

We need transparency and clear categorization:

  1. Pure Capture Categories: Strictly no generated pixels.

  2. AI-Augmented Categories: Open experimentation.

Photography has evolved before (film to digital), and this is just the next step. By separating the categories, we preserve the tradition of the craft while allowing space for the new wave of digital art.

The Bottom Line

The future isn't about the software tools vanishing; it's about them moving to the background. The sliders will likely remain tucked away for the die-hards, much like manual mode on a camera, but the workflow will be AI-first.

If you are worried about AI taking your job, remember this: The tool is changing, but the eye remains. AI can generate an image, but only a human can know if it’s right.

Photography, Digital Art & Inspiration: Gary McIntyre Talks Shop

Gary McIntyre, photographer and digital artist, joined me for a live broadcast, and this is the recording of our chat. We talked about how he creates such compelling composite images and how he goes about capturing his stunning landscape photographs. Gary very much believes in sharing knowledge, because as he puts it, ultimately it helps us all, and that's very much the spirit in which he talks through his work and the way he approaches it.

links mentioned in the video:

Black and white photo of a snow-dusted mountain peak under a dramatic sky
Green mountain valley with a winding road and river under scattered clouds
Digital artwork of a woman with a braid and a pistol amid flying debris and ruined buildings
Digital artwork of a white-haired figure with a staff standing on a cliff edge under a fiery sky
Digital artwork of a red-haired warrior woman in armour with a flowing red cape and a raven

Photography and the Power of Community | Angela Nicholson

This is the recording of a live broadcast where I chatted with Angela Nicholson, a photographer, journalist and reviewer, and the founder of SheClicks, a community for female photographers. We talked about her own photography, her process and the gear she uses, before getting on to the big topic of the conversation: why community is so important in photography, and what being part of one can give you.

links mentioned in the video:

Silhouette of a surfer riding a wave in golden backlit spray
Black and white long exposure of smooth water with rocks and an old pier under a moody sky
Close-up of a purple pasque flower with feathery seed heads against a soft pink background
Border terrier lying on a floor with two blue and orange balls
Black and white photo of a lone tree on moorland with heavy blur around the edges

HOW TO PRINT - The ULTIMATE Guide to Achieving the PERFECT PRINT

Watch this recording of a LIVE Broadcast following the launch of my long awaited HOW TO PRINT course for a Behind the Scenes look at what went into making the course content, tips, additonal learning and Q&A

Well my HOW TO PRINT course has officially launched, and I don't care whether it's right or wrong to say this but ... "I'm Bloomin Proud of myself"

As of today the course has over 7 hours of content which, I hasten to add, is the least amount of content that there will ever be as I'm looking forward to keeping this well and truly up to date for everyone that has and does enroll.

The support I've had has been incredible from close friends and people across the industry being willing, sometimes at short notice, to open their company doors and allow me in to do some filming and also them jumping on to a video conference to record an interview covering a certain topic relating to printing.

SPECIAL THANKS goes to Dominic Gurney from Epson UK who as well as freely sharing his vast knowledge has driven considerable mileage (more than once) to pass on some kit for me to use.

Everyone at Permajet for their constant support from Day 1 when I was planning this course. Inviting me into their offices, filming, lunch, paper, interviews and so much more. Outstanding!

Dr Chris Bai from BenQ whom I'm proud to call a friend and everyone at BenQ; always there and always willing to help and provide support. When I first met Dr Bai he said that his purpose was to educate me about colour and display technology and he sure has!

The BRILLIANT people at Digitalab who invited up to their offices for 2 days when I first started working on the course. Nothing was and is too much trouble for them and for that and all they do I am so incrediby grateful.

The great folks at Calibrite for helping out in so many ways providing kit, promotion, technical advice and information and always reaching out to see if I need any support.

Trevor Williams of West Street Picture Framing who opened his shop on a day it was ordinarily closed just so that I could do some filming of him showing how to correctly add a print onto backing board and add them into a mount for display.

MASSIVE thank you to everyone that has Pre Ordered the Course so far. I'm genuinely blown away at the response but also at the trust placed in me to provide a course that you're willing to hand over some of your hard earned money for. It is VERY much appreciated. (your course content will be available from 6pm UK today)

... and finally my wife Anne who does everything she can to make it easier for me to get on with getting on. Because of her support I don't have to think about anything other than getting this done and hand on heart I wouldn't have been able to get it finished and produced what I have without her.

This might sound a bit dramatic ... I mean it's 'only' a course that I've put together but heck, I've worked hard on this. I wanted to make this THE go-to course for printing so that others can get their share of the pleasure I get when seeing an image that you took the time and effort to get out and capture, retouch and finally hold in your hands.

"The ART doesn't end at the EDIT"

CAPTURING the POWER and BEAUTY of the NATURAL WORLD with Nick Page

LIVE Broadcast recording of a I chat with the incredible talent that is Landscape Photographer Nick Page, as we discuss his process for capturing the POWER and BEAUTY of the Natural World including Seascapes, Landscapes and Wildlife …

This is the recording of a live broadcast where I chat with the incredible talent that is landscape photographer Nick Page. We talk about his process for capturing the power and beauty of the natural world, across seascapes, landscapes and wildlife. Nick also talks about his photography heroes, including Michael Shainblum, Enrico Fossati, Marc Adamus and David Thompson. It's a great conversation for anyone who loves being out in nature with a camera.

links mentioned in video:

Nick Page Website: ( LINK )

Nick Page on Instagram: @nickpagephotography ( LINK )

Nick’s Photography ‘Heroes’

How to Print Course - Pre Order ( LINK )

Huge wave exploding against dark coastal rocks under a moody sky
Supercell storm cloud with a lightning strike over a green grassy field
Sunbeams streaming through a misty forest onto mossy tree trunks
Long exposure of the sea draining into a rocky sinkhole on the shore at sunset
Rolling green and golden fields with a small tractor in soft light

MASTERCLASS in using LAYERS , BRUSHES and LAYER STYLES in PHOTOSHOP with Bert Monroy

This is the recording of a live broadcast where, by popular demand, we welcome back the incredible talent that is Bert Monroy. Bert takes us step by step through how to get the most out of layers, brushes, layer styles and more in Photoshop, and it really is a masterclass. Seeing how someone with his experience approaches these everyday tools is a great way to understand them better, and to see just how much they can do.

links mentioned in the video

Bert Monroy’s Website: bertmonroy.com

Bert Monroy’s YouTube Channel: youtube.com/bertmonroy

CREATING ARTISTIC MASTERPIECES using PHOTOSHOP and NO A.I. with Bert Monroy

This is the recording of a live broadcast where I chat with Photoshop legend and artist Bert Monroy about how he creates his incredibly detailed masterpieces of art using Photoshop. Bert also gives us a look at how he uses traditional Photoshop techniques, with no AI at all, to create life-like realism and effects. Watching him work, you get a real sense of the skill behind every piece, and just how much is possible with traditional techniques alone.

•Watch on YouTube to see the LIVE chat as it happened ( LINK )

links mentioned in the video

Bert Monroy Website: bertmonroy.com ( LINK )

Bert Monroy YouTube Channel: ( LINK )

The Making of Times Square (Full Length Tutorial - 14 hours)

Misty canal with an arched bridge, bicycles by the railings and bare trees with a few yellow leaves
Neon lit theatre entrance on a wet street at night
Old apartment buildings with chimneys and shuttered windows under a deep blue sky
Wall lantern on a clapboard wall beside a door with dappled shadows
Close-up of a red vintage truck's chrome headlight and grille

Talking Lightroom and Photography with Adobe Lightroom Product Manager Katrin Eismann

This is the recording of a live broadcast where I'm joined by Adobe Lightroom Product Manager and photographer Katrin Eismann. We talk about her process for capturing stunning travel photographs, her personal projects and her kit, and we also take a look at what was Lightroom's latest technology for photographers at the time, along with some hints and tips for getting the best results. It's a great mix of photography and practical Lightroom advice from someone who knows the software inside out.

links mentioned during the broadcast

Katrin on Instagram: https://www.instagram.com/katrineismann/ ( @katrin_eismann )

Lightroom Academy: lightroom.adobe.com/academy

Adobe Community Forums: https://community.adobe.com/

Marc Muench Photography Workshops: muenchworkshops.com/workshops/

Iceberg floating in deep blue water under a dark cloudy sky
Silhouetted bare branches against a soft blurred golden background
Fashion model in a fringed green outfit posing against a concrete wall
Hand pouring a glass of golden liquid into blue water that glows in the light
Blurred figure of a woman in a dark dress walking through misty water

LIGHT | CAMERA | CAPTURE | The Art of Portrait Photography | Ross McKelvey

This is the recording of a live broadcast where I chat with portrait photographer Ross McKelvey about his process for capturing stunning portraits and motion, covering his lighting set-ups and post-processing. We also talk about camera clubs, printing, presenting your work and photography competitions, so there's plenty here for anyone who enjoys sharing their pictures as much as taking them.

links mentioned in the video …

Ross McKelvey website: rossmckelvey.co.uk

Ross McKelvey YouTube Channel: youtube.com/@rossmckelvey

Ross McKelvey on Instagram: instagram.com/rossmckelvey

Ross McKelvey on Facebook: facebook.com/ross.mckelvey

Westcott L60-B Bi Colour LED: LINK

Black and white portrait of a woman with curly hair and an off-the-shoulder top
Ballet dancer in a red tutu and red shoes leaping, holding a red rose, on a dark backdrop
Portrait of a bearded man in a naval officer's cap and dark uniform against a black background

Stewart Wood | MACRO PHOTOGRAPHY - Capturing a Hidden World

This is a recording of a live broadcast where I chatted with macro photographer Stewart Wood about capturing a hidden world. We talk about the kit he uses and, just as importantly, how he uses it, before looking at his focus stacking process and the tips and tricks he relies on to finally create stunning macro images. If you've ever been curious about macro photography or wondered how those incredibly detailed close-ups are put together, it's a great look at the whole process from capture through to the finished image.

Links

Stewart Wood Website : www.stewartwood.com

Helicon Focus Stscking Software : LINK

Westcott X-Xrop Pro Background : LINK

Carmarthen Cameras : LINK

Canon Print Studio Pro Download Link : LINK

Macro of a damselfly with turquoise eyes facing the camera against an orange background
Macro of a jumping spider perched on a vivid pink flower petal
Macro of a red-eyed damselfly on white blossom against a turquoise background