mobile

The Smartphone AI Photography Controversy: What's Really Going On?

The smartphone photography world is having a bit of an identity crisis right now, and it's forcing us all to ask an uncomfortable question: when does making a photo look better cross the line into just making stuff up?

Samsung's Moon Photo Fiasco

The whole thing kicked off properly in March 2023 when a Reddit user called ibreakphotos ran a brilliant experiment. They took a high-resolution moon photo, blurred it until you couldn't see any detail at all, stuck it on a monitor, and photographed it from across the room using a Samsung Galaxy phone's Space Zoom. What happened next was pretty shocking: Samsung's camera added crisp crater details that simply weren't there in the blurry image.

This wasn't your typical computational photography where the phone combines multiple frames to pull out hidden detail. Samsung was using a neural network trained on hundreds of moon images to recognise the moon and basically paste texture where none existed. The company more or less admitted this in their technical explanation, saying they apply "a deep learning-based AI detail enhancement engine" to "maximise the details of the moon" because their 100x zoom images "have a lot of noise" and aren't good enough on their own.

The controversy came back round in August 2025 when Samsung's One UI 8 beta revealed they were working to reduce confusion "between the act of taking a picture of the real moon and an image of the moon". In other words, they admitted their AI creates moon photos rather than capturing them.

Other Companies Are At It Too

Samsung isn't the only one playing this game. Huawei faced similar accusations with its P30 Pro back in 2019, using AI to enhance moon photography beyond what the camera actually saw. The pattern is pretty clear: smartphone manufacturers are using AI to make up for physical limitations that no amount of clever software can genuinely overcome.

Google's Approach to Reality

Google went in a slightly different direction with the Pixel 8 and 8 Pro, introducing "Best Take", a feature that swaps facial expressions between different photos in a sequence. If someone blinks or frowns in a group shot, the phone finds a better expression from other photos and drops it into your chosen image.

They also launched "Magic Editor", which lets you erase, move, and resize elements in photos (people, buildings, whatever) with AI filling in the gaps using algorithms trained on millions of images. These tools work on any photo in your Google Photos library, not just ones you've just taken.

Tech commentators called these features "icky", "creepy", and potentially threatening to "people's (already fragile) trust of online content". Google's Isaac Reynolds defended the approach by saying that "people don't want to capture reality, they want to capture beautiful images" and calling the results "representations of a moment" rather than documentary records.

Photographers Are Fighting Back

The controversy has created what some observers call a "perfection paradox". As AI became capable of churning out flawless imagery at industrial scale in 2025, perfection itself lost its appeal. Social feeds filled up with technically immaculate visuals, but the images actually getting attention were the ones showing signs of real human touch.

Professional photographers responded by deliberately embracing film grain, motion blur, quirky colours, accidental flare, and cameras with intentional limitations. The message is clear: authenticity and imperfection have become the things that set you apart in an AI-saturated landscape.

One photographer noted that when clients were offered choices between AI-crafted footage and work shot by humans with clear creative perspectives, they "still gravitated to the latter". Despite AI's technical achievements, there's still a "gap between technological capability and cultural readiness".

The Trust Problem

The fundamental issue is that smartphone manufacturers market these AI enhancements as camera capabilities without clearly telling users when AI is manufacturing details rather than capturing them. Samsung's moon photos showcase this perfectly. Users think they've captured incredible detail through superior hardware and processing, when actually the phone has just overlaid trained data.

Professor Rafal Mantiuk from the University of Cambridge explained that smartphone AI isn't designed to make photographs look like real life: "People don't want to capture reality. They want to capture beautiful images". However, the physical limitations of smartphones mean they rely on machine learning to "fill in" information that doesn't exist in the photo, whether that's for zoom, low-light situations, or adding elements that were never there.

What's Happening Next

There's growing pressure on the industry for what's being called "the year of AI transparency" in 2026. People are demanding that manufacturers like Samsung, Apple, and Google disclose when and how AI is manipulating photos.

Google has started responding with detection tools, rolling out AI detection capabilities through Gemini that can spot artificially generated photos using hidden SynthID watermarks and C2PA metadata. These watermarks stay detectable by machines whilst remaining invisible to human eyes, surviving compression, cropping, and colour adjustments. The system analyses images on-device without sending data to external servers.

Samsung, meanwhile, continues embracing AI integration. They recently published an infographic declaring that future cameras "will only get smarter with AI" and describing their camera as "part of the intuitive interface that turns what users see into understanding and action". This language notably sidesteps the authenticity questions that plagued their moon photography feature.

The Cultural Pushback

Perhaps most tellingly, younger users are increasingly seeking cameras that produce "real" and "raw" photos rather than AI-enhanced imagery, driving a resurgence of early-2000s compact digital cameras. This represents a rebellion against smartphone AI manipulation and a genuine desire for photographic authenticity.

The controversy forces a broader reckoning about what photography means in the AI era. As one analysis noted, 2025's deeper story wasn't simply that AI improved, it was "the confrontation it forced: what counts as real, what counts as ours, and what creativity looks like when machines can mimic almost anything".

The Bottom Line

The core issue is straightforward: smartphone manufacturers are using AI to create photographic details that cameras never actually captured, then marketing these capabilities as camera performance rather than AI fabrication.

Companies haven't clearly disclosed when AI is manufacturing versus enhancing, which is eroding trust in smartphone photography. Real photographers are differentiating themselves by embracing authenticity and imperfection as AI floods the market with technically perfect but soulless imagery.

And 2026 is shaping up as a pivotal year for AI transparency demands and authenticity verification tools.

This controversy represents more than just technical debates. It's fundamentally about trust, authenticity, and what we expect from our photographic tools in an increasingly AI-mediated world.

Taking Photos with my iPhone and taking TIme Out

This past couple of weeks have been quite eventful to say the least and with all that’s happened I’ve found myself even more grateful than ever that I live near the coast.

For me, being able to take some ‘time out’ and slow down whilst looking at and listening to the waves crashing against the shore is medicine … pure and simple, and this past week it was much needed.

Here’s some pictures that I took this past week when I took some ‘time out’ just down the road at Lyme Regis using my iPhone and edited in Lightroom on my iPad.

Each of these pictures I’ve also added to my Lightroom Community Profile Page wheere you can see all of the retoching steps and also download them as a Preset to use on your own images ( LINK )

Handheld 1 second Long. Exposure using the ReeHeld App

Photographing Storm Agnes with my iPhone 15 Pro Max

So although in the South West we didn’t get the full force of Storm Agness last week (unlike Ireland and parts of Wales) , what we did get still caused some pretty impressive scenes.

Timing couldn’t have been better on Thursday last week as the tail-end of the storm also coincided with a high tide of 4.5 metres at Lyme Regis Sea Front.

This was also to be my first time out ‘in anger’ with my new iPhone 15 Pro Max which I used to photograph the storm along with the ReeXpose App from ReeFlex.

I only had a few mintes to capture whatever I could before the heavens opened and heavy rain joined the party, but here’s the results …

Both results are a blend of several long exposures ( 0.5 seconds and 1 seconds ) taken with my new iPhone 15 Pro Max and the ReeXpose App from ReeFlex and edited in Lightroom Mobile / Cloud and Photoshop.

One of the BEST pieces of advice I was given when starting out as a Portrait Photographer was to move around ... don't take photographs from one spot ... look how the light changes as you take a step to the left or a step to the right.

Since the Covid Pandemic when I first ventured out into landscape and seascape photography as a means of keeping active and keeping creative, one of the most important things I've learned is ... when you find a composition make sure to LOOK BEHIND YOU

This is how the 2nd results came about with the tail-end of Storm Agnes and was what was happening behind me whilst I captured the first.

Photographing a Storm with my iPhone

One of the results I captured yesterday with my iPhone during the storm down at Lyme Regis.

I love how photographs instantly transport you back to the where, when, what and who.

Taken with my iPhone 14 Pro Max

This one will always remind me of the two of us laughing like excited children as the waves from the incoming tide pounded against The Cobb wall and then towered above us and crashed down. Yes we got soaked (one of us more than the other) but it was so much fun.

Dedication … right there! Strong winds, big waves on the incoming tide and this one was giggling like a good ‘un as a BIGGIE came crashing over The Cobb and swallowed her up … and all to help me take some photographs 😍

*Taken with my iPhone 14 Pro Max using the ReeXpose App by REEFLEX set to a 0.5 second exposure.

Edited in Lightroom Mobile and Photoshop Beta.

*If you’re interested, I have the kit I use (which in this case addition to my iPhone was a tripod and the BEST Mobile Phone Grip I’ve ever used) over on my GEAR / KIT PAGE

LIGHTROOM UPDATE (June 2023)

It’s June 2023 and Adobe have just added some updates into Lightroom Classic and Lightroom Cloud which includes Lightroom Mobile.

So, here’s a quick run through of the main bits 👍🏻

Here too is a link to the Official Adobe Lightroom Website giving full detail including all the mior updates including new cameras and lenses added …

Adobe website

I PRINTED a 72" iPhone Photo and you WON'T BELIEVE THE RESULT !!!

Yes you read thar right … a 72” print of an iPhone photograph!

In this video I not only show ther print but also give you a look at the kit I used along with my favourite iPhone App for creating Long Exposure Photographs.

I also show what I used to upscale the original image more than 4 times, taking up to the final 72 inches!

The future of mobile photography is VERY exciting 📱😃

My COLOUR GRADING: THE ESSENTIAL FINISHING TOUCH mini course is NOW AVAILABLE

Really excited to let you know that I have a NEW course NOW AVAILABLE

Colour Grading: The Essential FiNishing Touch

Just as with my other courses, you can stream / download all of the included video tutorials, download work files to follow along step by step, download a PDF of Class Notes ans have Life Time Access. Plus there’s a knowledge check and certificate of completion.

For more information check out the button link below

See you in class 😃

TAP / CLICK for more information

My Mobile Phone / Smartphone Photography Kit

With me doing more and more photography with my Smartphone (iPhone) these days, I often get asked what kit I use with it ... Phone Mount? Tripod? Trigger?

So I thought I’d share it here as well as adding it all into the GEAR Page where you’ll see ALL the kit I use for Photography and Video …

*To use the phone holders on my tripod, I purchased a few extra Arca Plates that screw into them

There’s also various apps I’m using so I’ll make sure to share details of those and any future kit I try out … especially as I intend to be doing some portrits using off-camera lighting triggered by my phone 😃

CLICK / TAP FOR MY GEAR PAGE