Mobile versus Mirrorless: Decisions to be made in 2025

This is the recording of a live broadcast where I chat with my friend, photographer Brian Matiash of the Adobe Lightroom team, about using mobile devices for photography. The question was whether I should carry on doing so in 2025, and from there we get into lenses and filters for mobile, what I'll be using my Sony mirrorless for, what I make of the OM-1 Mark II and a whole lot more. It's a relaxed conversation about the decisions to be made between phone and camera, and the reasons behind each choice.

links mentioned in the video:

• Brian Matiash Website: ( LINK )

• Brian Matiash YouTube Channel ( LINK )

• Glyn’s Lyme Sunset Picture + Edits in the Lightroom Community: ( LINK )

NOTE
If you’d like any of your images to be considered for one of my ‘LIVE RetouchingBradcasts’ simply create a Collection (Lightroom Classic) or an Album (Lightroom Desktop) and Share it with me at gadewis@mac.com making sure that you set permissions to Edit and not just View.

The POWER of PHOTOGRAPHY and Personal Projects | Ron Timehin

This is the recording of a live broadcast where I chat with London-based photographer and director Ron Timehin. We get into not only how he does what he does, but also the power of personal projects and what it's like working with big brands and well-known public figures. It's a conversation about the power of photography itself, and there's a lot in here for anyone thinking about starting a personal project of their own.

links mentioned in the video:

• Ron Timehin’s Website: ( LINK )

• Ron Timehin on Instagram: @rontimehin

• London Fog Book on Amazon: ( LINK )

My First Photography and Print of 2025 : Stormy Sea on New Years Day 2025

There’s no better way to kick off the New Year than doing something you love, and for me, that means grabbing my camera, which in this case was my iPhone, and heading out to take some photographs; and this January 1st did not disappoint with a stormy high tide.. How could I resist?

My wife Anne, who’s as much of a storm lover as I am, joined me to not only keep me company, but she also helped capture some behind-the-scenes footage, which added to the fun of the morning.

We headed down to The Cobb ( Lyme Regis) and straight away it was a WOW moment!

The waves were crashing hard against The Cobb sending water shooting high into the air like fireworks. The sound was thunderous, the kind of deep, powerful roar that makes you feel alive just being near it.

I knew where I wanted to head to … the only issue was getting there; the lower part of The Cobb to the side of the Aquarium. The problem here was that water was crashing and pouring over The Cobb wall into the Harbour like a giant Ice Bucket Challenge ( remember that??? ) , however I’ve learned my lesson and now travel with full wet weather kit in a bag in the boot of my car.

Still, even though I was weather-proofed it meant timing the run to perfection to avoid the weight of the water crashing down on me … which I’m rather proud to say I managed to avoid.

Weather like this always fills me with excitement BUT that said you do still need to have your wits about you. No photogbraph is worth putting yourself and others at risk. I never want to be THAT guy!

Once at the side of the aquarium I was able to photograph the small beach area behind it and still be safe, protected by a wall and railing. I managed to get the composition I wanted, grab some shots but then the wind seemed to pick up a bit more. So, I decided enough was enough and timed a run back to Anne ( who was near the RNLI Station ) without getting hit by any waves breaching The Cobb Walls.

Actually on this, I’d heard some time ago that waves come in 7s and it did see to be the case. Running there and back I initially counted 7 clear waves breaches and then ran and managed to avoid getting soaked so, clearly there’s some truth in it; if not and it was pure fluke, I’m getting an extra Lottery ticket this week 😃

As for my iPhone, I used the native 0.5 ( 14mm ) lens and the native Apple Camera App set to Apple ProRaw. The image was edited using Lightroom Mobile on my iPad Pro.

So now I’m up and running; first photograph and print of 2025 is ‘in the bag’ 😃

After walking around a bit more, grabbing some extra shots and some video footage, it was time for breakfast at our favourite spot … Town Mill Bakery.

So here we are in 2025. I’m now really looking foward to the coming months as I plan to be visiting some other coastal locations across Dorset, Devon, Cornwall and Wales ( West and North ) … and my thoughts are that I’ll be doing this with my iPhone to push it that bit more and see what I can get with such minimal kit.

I’ll keep you posted.

Happy New Year!

Photographing Storms in the UK with my iPhone and Friends

There’s something special about heading out with your camera (or iPhone as it was for me) when a storm is brewing. It’s that mix of excitement, unpredictability, and the chance to capture nature at its wildest and recently, I had the chance to photograph two big storms—Storm Bert and Storm Darragh.

Storm Bert at Lyme Regis

First up was Storm Bert on the seafront at Lyme Regis with my good mate Steve Healy.

Lyme’s one of those places that looks stunning in any weather, but during a storm it really is next level.

The wind and rain was relentless, whipping around us as we walked along the seafront. The waves were smashing into the harbor wall, sending spray high into the air. At one point, I got completely drenched from the knees down (see photo below) by a rogue wave, but hey it’s all part of the fun, right?

I used my iPhone 15 Pro Max with the Lightroom Camera app, and honestly, it was spot on. The light was constantly changing, but using the phone to capture it was a breeze (no pun intended).

We took some time out for a bit of shelter and grabbed a coffee in the seafront Café, SWIM and it just so happened that on ther next table were a couple of people who had a dog, and well …

I couldn’t resist grabbing a photograph with my iPhone

I edited the portrait quickly in Lightroom on my iPhone and then showed the owners, who loved it and asked if I’d send it to them.

This again showed to me how powerful a mobile workflow is; being able to take a photograph and immediately edit it and sent it, I find so bloomin’ exciting!

Storm Darragh at West Bay

A few days later, Storm Darragh rolled in, and this time, it was off to West Bay with my friend Brian Dukes.

If you know West Bay, you’ll know those golden cliffs are absolutely stunning, but throw in a storm and it’s a whole different scene.

Brian and I spent most of the time trying to keep our footing while scouting for the best angles but oddly the sea wasn’t as rough as we’d expected it to be and we actually spent more time on the other side of the harbor.

Why I Love Storm Photography

Here’s the thing about photographing storms: it’s not just about the pictures. It’s the whole experience—being out in the elements, feeling the wind batter you, hearing the roar of the waves, and just soaking it all in (sometimes literally!).

For me, it’s also about the people you share it with. Steve and Brian are brilliant company, and there’s something about laughing at each other while dodging waves that makes the day even better.

If you’re thinking of heading out to photograph a storm, do it. Just make sure you’re prepared (waterproofs are a must … as I have well and truly learned), keep an eye on the tides, and embrace the chaos. The photos are a bonus!

I’m really happy with the keepers from both Storm Bert and Storm Darragh but honestly, the best bit was just being there watching the storm do its thing.

Can’t wait for the next one. Bring it on!

COMPLETE Portrait Retouching Workflow in LIGHTROOM on an iPad

In this video I go through a complete Portrait Retouching Workflow in Lightroom on my iPad …

Becoming a Fine Art Photographer and Master of Monochrome | Vincent Versace

This is the recording of a live broadcast where I chat with fine art photographer Vincent Versace, a Nikon Ambassador and recipient of the Computerworld Smithsonian Award in Media Arts and Entertainment. Vincent is a master of monochrome, and we talk about life as a photographer, finding your own style, the art of post-production and more. There's a lot here for anyone interested in fine art photography or black and white work.

links mentioned in the video:

• Vincent’s Website: versacephotography.com

• Vincent on Instagram: @vincent_versace

• Vincent’s Workshops: versacephotography.com/workshops

Ragnar - Viking Composite using Photoshop

Following on from the earlier article I wrote ( LINK ) showing the Behind the Scenes of a recent Viking Photo Shoot, I’ve now finished the 2nd image so thought I’d share it here for you to see …

This is a composite made using Photoshop and is a combination of several images comprising the original studio photograph of my friend Simon ‘Foxy’ Fowler dressed as the Viking, the Location Shot and several Sea Bird Photographs.

Here’s the studio photograph of Simon …

Here’s the location shot which is a part of the coastline at Three Cliffs Bay, The Gower, South Wales …

To make sure that I got the angle and height correct, when at Three Cliffs Bay, my great friend Anthony Crothers stood in the spot where I would eventually place Simon …

In the studio when photographing Foxy, my camera was on a tripod and at a height where the lens was in line with the top portion of his nearest thigh.

When on location photographing the background / scene, Anthony was stood on a rasied area of ground …

(Note: it looks precarious but actually isn’t … to the front of Anthony on the other side is a flat area that you can comfortably walk on)

… so to get the angle / height to look as though Simon was photographed higher than he actually was, the camera lens was level and aimed just below Anthony’s nearest knee.

My new compositing workflow

Returning to some compositing has seen me now approach them in a different way especially when it comes to potentially time consuming cutouts such as hair anf fur.

My new workflow sees me leaving this part to the very end and getting great results in literally a fraction of the time …

This is something that I’ll definitely be going through in my Combining Old and New : Mastering Selections and Cut Outs in 2024 class in the upcoming ( FREE ) Photoshop Virtual Summit 6 …

If you’d like to see a larger version of both images created from this photo shoot, I’ve now added them into my PORTRAITS PORTFOLIO ( LINK )

Thanks for looking in,
Glyn

Capturing and Creating FINE-ART DREAM-LIKE IMAGES of the LANDSCAPE with Enrico Fossati

This is the recording of a live broadcast where I'm joined by fine art landscape photographer Enrico Fossati to go behind the scenes of his process for capturing and creating such incredible, dream-like images of the landscape. We talk about how he approaches both the capture and the retouching, and the artists who inspire his work, from fantasy illustrators such as John Howe, Alan Lee and Ted Nasmith to painters including Albert Bierstadt, Thomas Cole, Caspar David Friedrich and William Turner.

links mentioned in the video:

• Enrico’s Website: ( LINK )

• Enrico’s Retouching Tutorials: ( LINK )

*Use Discount Code: GLYN24 for €30 Euros OFF (valid until 30th September 2024)

• Enrico on Instagram: @enrico.fossati

• Enrico on Facebook: enricofossatiphotography

Enricos’s Inspiration

Fantasy Illustrators:

John Howe , Allan Lee, Ted Nasmith, Les Edwards, Frank Franzetta,

Painters:

Albert Bierstadt, Thomas Cole, Edwin Church, Caspar David Friederich, William Turner … and many more

• My How to Print Course: ( LINK )

Portrait using a 55mm Prime and LED Lighting

I’m currently trying out a new portrait style for me using a different lens focal length than what I’ve used for a while now, and also adding in an additonal light to my usual one-light set up.

For some time I’ve used the Sony 85mm G Master lens with my Sony A7RIV and have and still do love it for the quality and sharpness of the files it produces. However I’m now going to be using a 55mm focal length … my Zeiss f/1.8 Prime Lens.

It’s hard to put into words what I’m really liking about the look the lens gives … it’s just different. Some would say that it gives a much more realistic ‘as the eyes see it’ look but I guess that also depends on how close to the subject you position yourself.

I also like how the focal length means you’re much closer to the subject, making the portraits much more intimate and revealing of the person being photographed ... if that makes sense.

I’m also, like I said, using an additional light with this new look I’m working on; both of which are LED Constant lights.

I’ve been using the 60W Westcott L60-B COB LED for a while now but a few days ago I received the new 120W L120-B COB LED; a slightly bigger unit with the advnatage that no adaptor is needed to fit any of my light modifiers.

So the portrait of my friend Anthony above, I took using one of the grey walls in my office as the background; here’s the set up showing the positon of the lights …

LIGHTING

Westcott L60-B COB LED fitted with a square Westcott Pocket Box Softbox rear and camera right and positioned so that it added both a bit of light onto the background but also a hint of light onto the camera right side of Anthony’s head.

Westcott L120-B COB LED fitted with the 24” Rapid Box Switch Softbox

Westcott 2-in-1 Reflector (silver and White) with silver side uppermost

*NOTE: If you’re looking to invest in Westcott Kit, then give me a shout and I’ll pass on a Discount Code

Westcott L120-B COB LED

Westcott 24” Rapid Box Switch Beauty Dish

Westcott Pocket Box Speedlight Softbox Kit

camera settings

• Aperture: f/5.6

• Shutter Speed: 1/60sec

• ISO: 1250

When taking Anthony’s portrait I was experimenting with different apertures to see hat I prefered for this new look; f/2.0 , f,4.0 , f/5.6 and actually liked the look of f/40 as with the 55m lens it gave a great depth of field with the tip of the nose in foucs and then from the ears losing focus.

However, I mistakenly left the camera in f/5.6 so during the retouching in Lightroom I used the Lens Blur to convincingly fake the depth of the field.

retouching in lightroom

The portrait I retouched using only Lightroom and I’ve added it into my Lightroom Community Profile Page …

When you go to my Lightroom Community Profile Page, click on the portrait and this will then take you to where you can see all of the retouching steps I did to the ‘out of camera’ file. You can also save the settings as a preset to use on your own images and even click on Remix to get access to a Smart Preview of my original file and have a go at retouching it yourself.

Raising Mental Health Awareness - Through Photography

This past weekend I had the absolute homnour of having been asked to officially open a Landscape Photography Exhibition by Photographer Nigel Thomas in Kidwelly, West Wales ; an exhibtion that Nigel has worked on to help raise awareness of Mental Health …

“I am so grateful that photography, landscape photography in particualr, has become such an important element in my life. I have found a profound sense of peace and purpose. My journey into landscape photography qas not just a creative pursuit, but a therapeutic escape from the depths of severe depression and anxiety”

— Nigel Thomas

I can honestly say that I’ll NEVER forget this!

Throughout my career in this creative industry I consider myself incredibly fortunate to have presented at functions around the world. I’ve had some amazing experiences and made some amazing friends … and today I add to that!

A stunning body of work that has been instrumental in his recovery and my god, what a story he has to tell and is just so damn brave to do so.

It was an emotional rollercoaster of a day but it’s a ride I wouldn’t have missed.

Truly honoured. Truly blessed.